Crue Clippings #1 - Nikki In Hustler Magazine, c. 1990

I got this clipping (and many more) from a school friend.
"Hey Mick, look what I found in one of my dad's porn mags!"

Nikki Sixx and Mick Mars in Guitar Magazine, January 1990

"The bass player claims he's really just a songwriter. The guitarist can only solo on one chord. Both say they ought to practice more often, but then admit too much practice could lead the band to ruination. They wouldn't be motley anymore. But, wait a minute: the guitarist spends his off hours composing classical themes for cello and violin. The bass player is about to release a book of poetry. What is going on here?" 

John Stix's Guitar Magazine interview with Nikki and Mick is one of the most detailed accounts from the 1980s of the Motley string men as working, creative musicians. Both frankly admit their limitations while showing a deep awareness of their talents and how they approached their roles in one of the world's then biggest Rock bands.  

Mick speaks of creating out-of-character Rock instrumental music with a combination of his Blues Rock sensibilities and Classical music touches. He also talks in depth about key and position preference and reveals he is not overly comfortable in E or A which is surprising as they are often the most native, popular keys and positions for Blues Rock players.

Nikki discusses a book of poetry and lyrics he was planning on publishing but never saw the light of day. The book was to be a mix of Motley lyrics with as many new songs and poems and was later titled "An Education In Rebellion."  

Among the more fascinating details in this interview is Nikki's walk-through of Motley's songwriting process. From writing on acoustic guitars to Mick's electric guitar additions to having Vince mumble melody ideas, Nikki lays out the process which yielded such classics as "Don't Go Away Mad" and "Dr. Feelgood". This is the type of information that was not often asked of or offered from the Crue and it is a welcomed change.

Mick says he will soon be working on a solo record . . . which, in 2020, is still unreleased but has been teased and may be released in the next few years. He ends the interview by admitting that though perhaps more accomplished players may criticize his technique, they know his sound which is original and recognizable. Amen, Mr. Mars.

Guitar Magazine offered guitar and bass transcriptions for "Dr. Feelgood" and the back cover of the edition has a Kramer Guitars ad that features Nikki and Mick among Rock cohorts who had taken part in the Moscow Music Peace Festival months prior in August, 1989, around when this interview would have taken place. 

Circus Collector's Issue, 1994 (1984 Crue Article)

This Circus Magazine Collector's Issue was published in early 1994 and features classic interviews from the 1960s to the 1990s. Motley joins such illustrious company as Led Zeppelin, Jim Morrison and Jimi Hendrix. This would have been published before the band released their self-titled record with new vocalist John Corabi. The table of contents blurb says

"Til death do they party. It's 1984 and the gates of hell have opened siccing Nikki, Vince and their pack of wacks on a shocked music scene."

Richard Hogan's article, "Motley Crue: Glad To Be Bad," begins by telling us that everyone (except the Rock magazines) seem to be putting the Crue down. Hogan says that MTV Host J. J. Jackson recently reported that Vince punched out a female patron at The Rainbow Bar and Grill when she objected to his Marine outfit (Paul Miles' Chronological Crue page has this happening at The Troubadour in January of 1982). Jackson drops the script and surmises to the camera that Vince may not have been so tough if the objector was an actual Marine!

J. J. Jackson

This video of Nikki and Vince on MTV talking to host Martha Quinn comes from January-February 1984, after the Shout at The Devil album and the premier video "Looks That Kill" had been released. At around three minutes and thirty seconds Martha says that just a few weeks back Vince was in the news regarding the assault. Vince says that it was a man he hit, not a woman  ("You know, everyone in Hollywood looks like a woman  . . . I hit somebody but it wasn't a girl"). This is one of the many stories that never made it to "The Dirt" book or movie.

The Circus interview is likely from December, 1983 when the Crue were in Massachusetts rehearsing for their opening slot on the Ozzy Osbourne Bark At The Moon tour in 1984. Nikki and Vince illustrate their violent and wild temperaments with stories of a recent (Nikki) car crash and a (Vince) Halloween incarceration. "We are extremists," explains Nikki. The band members and their current ages are shared as well as the circumstances of the making of their independently-released Too Fast For Love back in 1981. 

Motley were going out of their way to gain notoriety in these years and the Metal magazines ate it up and shared the debauched details. The above video clip also shows that the band was singled out by the PMRC. Nikki's x-rated groupie stories in the pages of the magazines would land the band in hot water soon after this interview and 1984 would end with the death of Razzle Dingley of the group Hanoi Rocks at the hands of drunk driver, Vince Neil.

The Motley Crue drama played out in real time in these years. Fans devoured these popular rags to hear news of their Rock God heroes and to get images for their teenybopper shrines. Circus Magazine almost exclusively featured live shots of the bands on tour. The mixture of video channels, Rock magazines with articles and posters and LPs or cassettes blaring the music was a heady mixture.



Above is the Classified page (for some more flavour of the age) and an ad that reminds us when this Circus was published: 1994. Motley were about to release the self-titled album with new singer John Corabi and Vince was a semi-successful solo artist. This back page ad for Gibson Guitars shows Mr. Neil with two members of his band. He is still playing solo shows today. Vince would get back with Motley by 1996-1997 when the magic of the 1984 years was long gone. That a movie biography of the band would be released in 2019 is a testament to the strength of the music and the allure of the notoriety of the group in the 1980s.

More Rock Magazines to come at The Sleaze Patrol Files!!!!!!!!!!!!!!!!!!!!!!

Motley Drawings, Part II: Not-So-Good Kid Art

In my first post sharing my childhood Motley Crue art from school friends there were some really cool images. In today's post? Not so much. Some friends were better artists than others. Some of these were drawn by really young kids and look like it but I was always happy to receive some Crue art from a friend. Enjoy these pieces from the 1980s to the early 1990s.

 

 

February, 1992 - The End of Motley Crue PART I

To get a sense of where Motley were at this time, let's go back just a few months to October, 1991 in Canada where Mick and Nikki were doing a publicity junket for the new Crue retrospective Decade Of Decadence. I recorded a bunch of stuff from their day at Much Music and Musique Plus (Canadian English and French video music channels in the 1980s-1990s). The video below has Nikki talking about the future sounds of Motley. What folks don't always remember is that Motley were about to enter a slightly more progressive, heavy and experimental phase of music with or without Vince. Even before Dr. Feelgood came out in late 1989, Nikki was talking about experimenting with the Motley sound. They flirted with Rap music on a few demos that never passed the demo stage. The albums Motley Crue (1994, without Vince) and Generation Swine (1997, with Vince) show us, in compromised settings, what some of the new Motley music sounded like just before Vince quit/was fired from the band. The keyboard, experimental music Nikki, Mick and Tommy were writing that Vince didn't like became the foundation of the sound fans would hear on  Motley Crue with John Corabi on vocals. Motley started jamming with John only a week after Vince was fired.

The following two interviews with Nikki and Vince for Hit Parader Magazine have the soon-to-be-parted band mates talking about the bond between the members and how it was never going to end . . . almost like they're over-compensating for conflicted feelings. 

I heard the news at school the day it was announced. A kid came up to me in the hallway and laughed, 'Hey man, Vince got kicked out of Motley!' I remember walking home and tuning into Much Music waiting to hear the confirmation ... and it came. February 14th the band issued a press release about the parting. Here's footage of the Vince MTV interview mentioned in the Metal Edge notice, above. We're going back to the week of February the 18th in our Crue history books. 

Lonn M. Friend is the talking head in this second video. He was the editor of Rip Magazine and it sounds like he was talking to Nikki and is sharing some of what was said about the parting. MTV talked to Vince on the phone in the ensuing days and a camera crue [cough -ed.] caught up with him in Long Beach on April 12th where he was racing (and crashed twice).

Nikki, Mick and Tommy held a band meeting on February 11th and voted Vince out. The Crue told the world about it that Friday, on Valentines Day, and then remained quiet while Vince did a huge publicity response, appearing and being reported on a wide variety of television entertainment shows. We'll share more TV clips of Vinnie trying to process the firing and more magazine articles from the vaults.

Nikki Sixx Part 9 - Too Wild To Tame, 1984-1985

Nikki retells the Motley legend/biography to Steve Gett of Hit Parader Magazine during the writing or recording of Theatre Of Pain, so late 1984 or early 1985. Nothing new here but another example of the media going down Motley memory lane early on. There are no Theatre pics to share so we get some Shout era doozys. Nikki shows an early instance of hyperbole for whatever new product he is peddling by saying that Theatre of Pain's songs will be as good OR BETTER! than Shout At the Devil's.

I like the following quote from the intro to the article. I didn't hear many other Rock stars, especially in the Hard rock world, discuss their band or music quite like Nikki did of Motley Crue in the 1980s. Although he would have never suggested that Motley were capital 'A' Artists, it becomes quite clear through reading through the evidence that he had a developed sense of his music & its place in the scheme of things. Motley's many style & musical changes throughout their 35+ career can be seen less as an outcast band chasing success & relevance & more a chaotic group of misfits with a savvy & creative Captain Hook at the helm. I don't overly like a lot of post 1991 Motley music but I'm beginning to appreciate the creativity they've shown all these years.

"I wanted a real honest Rock N Roll band. I didn't want anything fake or pseudo. Whatever it was it was going to be true Art."

Nikki Sixx, 1984

The Motliest Of All The Crues!!

Motley Who?

 

So exactly WHO are Motley Crue? In 2015 they are bona fide Rock Legends with an impressive staying power and biz savvy. They are also an example of the tired nostalgia culture that has been a leading force in the music industry since the 1990s (& before). The band has never again achieved the artistic success that reached its peak in the early 1990s with 'Primal Scream' & the 1994 John Corabi album, nor did it ever duplicate the sheer power & honesty of their first two records. 

 

Motley have had several lives. Even within the first decade there are so many details; tragedies and songs about them, changes in appearance & style of music. A LOT happened from 1981-1991 in Crue land. Then there's the short-lived Corabi period. After that the middling years: Motley, completely irrelevant artistically, releasing clumsy new music & keeping their heads down, doing their work while the world moved on. 

The reason they are here today, to my mind, is because of the success of the 2001 Neil Strauss-penned bio, 'The Dirt'. It hit at just the right time, finding an audience rabid for 1980s raunch & hedonism sprinkled with enough pathos to turn the head of a Greek dramatist [cough, we'll work on that one later! .ed]. Known to us old-school Crueheads since the mid '80s, Motley's story is one of epic proportions that may or may not contain moments of exaggeration & hyperbole. Nonetheless, the book proved that, alongside a songbook that has aged better than many of their contemporaries', the Motley myth was more rich, more honest & more compelling than your average Classic Rock band.

 Although the music they made after 1994 is not essential listening it can sometimes be interesting & entertaining. Had the Brunette Three (Mick, Nik & Tom) picked a more 1990s-sounding singer to replace Vince (John Corabi was a Steven Tyler-styled vocalist) OR called the Corabi band anything other than Motley Crue I think we could have had a second band that would have continued until now, even alongside the Motley machine. I for one am a fan of the Motley Crue album from 1994 but I do think a slightly different handling of that whole situation (like not firing Vince at all but taking a break & doing a record with a different singer) could have made a much richer Motley legacy. Alas, it wasn't to be.

SIKKI NIXX Part 8: Sixx Pics 1983-1991